MoviesOnline sat down with Patrick Wilson and Malin Akerman to talk about their new film, “Watchmen,” the big screen adaptation of the most celebrated graphic novel of all time, brought to life for the first time by visionary director Zack Snyder. A complex, multi-layered mystery adventure, “Watchmen” is set in an alternate 1985 America, a world darkened by fear and paranoia where regular human beings who once donned masks to fight crime now hide from their identifies and where the ultimate weapon–an all-powerful superbeing–has tilted the global balance of power, pushing the world implacably closer to nuclear midnight.
Malin Akerman plays Laurie Jupiter, aka Silk Spectre II, the one human being with a genuine connection to Dr. Manhattan. As he grows more and more distant, there’s nothing left for her in the relationship. His work comes before her in her eyes. She feels him falling out of love with her and the more he drifts away, the more she loses her identity. After the murder of The Comedian, Laurie reconnects with Dan Dreiberg/Nite Owl II (Wilson), who shares her inchoate sense of loss. Reconnecting with Dan gives Laurie back her sense of being a woman and reignites the fire that used to be there as Silk Spectre, the need for the adrenaline rush. In turn, Laurie opens Dan up to putting the suit on again. It’s the thing that he’s most terrified of and the thing he wants more than anything.
Patrick Wilson is an award-winning theatre actor who has also become well-known for his work on the screen. He next stars in the title role of the independent comedy “Barry Munday,” due out later this year. In 2008, Wilson starred in three very different films: Neil LaBute’s thriller “Lakeview Terrace,” with Samuel L. Jackson and Kerry Washington; the mystery drama “Passengers,” opposite Anne Hathaway; and the independent film “Life in Flight,” which premiered at the Tribeca Film Festival.
Wilson previously received praise for his work in the critically acclaimed drama “Little Children,” in which he starred with Kate Winslet and Jackie Earle Haley under the direction of Todd Field. His motion picture work also includes the indie films “Evening,” with Meryl Streep, Glenn Close, Claire Danes and Vanessa Redgrave; “Purple Violets,” directed by Edward Burns; “Running with Scissors”; and “Hard Candy,” opposite Ellen Page. He also starred as Raoul in Joel Schumacher’s big-screen adaptation of “The Phantom of the Opera,” showcasing his musical talents.
Malin Akerman is fast becoming one of the industry’s busiest young actresses. Last year, she starred in the hit romantic comedy “27 Dresses,” with Katherine Heigl, James Marsden and Edward Burns, under the direction of Anne Fletcher. Akerman recently reunited with Fletcher to star with Sandra Bullock and Ryan Reynolds in the upcoming romantic comedy “The Proposal,” due out this summer. Also in 2009, she will star in the Peter Billingsley-directed comedy “Couples Retreat,” with Vince Vaughn, Jason Bateman and Jon Favreau. In 2007, Akerman starred with Ben Stiller in the romantic comedy “The Heartbreak Kid,” directed by the Farrelly brothers. Her other film credits include the independent releases “Harold and Kumar Go to White Castle” and “The Brothers Solomon.”
Patrick Wilson and Malin Akerman are fabulous people and we really appreciated their time. Here’s what they had to tell us:
Q: Were you familiar with the source material before you got the script?
Wilson: Well –
Akerman: You can speak for me, too. You know the story.
Wilson: No. I had heard of it, but I did not know the comic at all. Both of us sort of came into it knowing the script. Certainly, we had the same sort of visceral reaction of, ‘What the hell is this? It’s amazing. It’s great, crazy -’ and nothing like you had expected. I called my friend who’s a huge comic fan. I always call him with whatever comic book script it is and I said, ‘”Watchmen”?’ He just goes, ‘Oh, God.’ I sort of gauged the interest and fear of the ‘Watchmen’ fan right there because he’s a very big fan of the comic. So I knew going into it that it was a very sort of special thing, treading on hallowed ground. Then I went out and got the graphic novel and was so blown away by it. Even though I didn’t grow up reading a lot of comics, I always had a great respect for it and I just felt like this was everything that they could be which was almost Greek in its importance, I think, to literature, if that’s being too deep.
Akerman: No. It was the same for me. The first contact that I had to do with anything having to do with ‘Watchmen’ was the script which was amazing. I went, ‘Wow. There’s source material for this and I have to get my hands on it.’ I went and got the book and I think anyone who reads ‘Watchmen’, there’s no way that you can’t become a fan. I was shocked because I always had the idea in my head, having watched superhero films and my cousins would read these comics and seeing ‘Batman’ with the ‘pow’ and the ‘pop,’ but this was something completely different. It was amazing to finally read it and understand why people are so in love with this amazing graphic novel. It’s well worth the pedestal it’s been put on. I think we all became huge fans from this and we’ve read it over millions of times over.
Read the rest of this entry »