Before “Watchmen,” when was the last time you saw superheroes in a big-screen movie get naked in love scenes? Chances are: never, because most superhero flicks aren’t rated R. But “Watchmen” changed all that with the romance between Dan Dreiberg/Nite Owl II (played by Patrick Wilson) and Laurie Jupiter/Silk Spectre II (played by Malin Akerman), who steam up the screen with their nude scenes as the two superhero characters who fall for each other.
This isn’t your parents’ superhero love story. “Watchmen,” based on the graphic novel co-created by Dave Gibbons and Alan Moore, is an intense tale filled with morally ambiguous characters and explicit scenes not meant for very young kids. For versatile actor Wilson, “Watchmen” was a chance for him to take on a role that’s very different from the husbands or hunky good guys he usually plays on the theater stage and on the big screen. Watchmen” is also a departure for Akerman, who was in danger of being typecast as flaky types in romantic comedies such as 2008’s “27 Dresses” and 2007’s “The Heartbreak Kid.” At the Los Angeles press junket for “Watchmen,” Wilson and Akerman revealed how the vulnerabilities they exposed while playing these superheroes weren’t just physical but also emotional.
Were either of you “Watchmen” fans before signing up for this movie?
Akerman: No, we were not. My first experience with the novel was the script. It was script that threw me for a loop, and I had no idea what I had just read and what had happened to me. So I ran out and got the graphic novel and was blown away. It’s an amazing novel and the thing that was so nice about it was the script was so faithful to the source material, which made it even more exciting to have the thought of doing a film that will be appreciated because it’s keeping the allegiance — which is hard sometimes when you’re making a film out of a novel.
Wilson: My first experience was with the script. I had heard of it, but like most comic-based scripts that I had read over the past few years, I always call my one of best friends, who’s a huge comic-book fan, and I always ask him … Then I said, “I got ‘Watchmen.’” And he said, “Oh, God!” And I knew it came with a great excitement and fear. And he said, “If you are ever to do a comic-book movie, this is the one to do.” So I knew I was getting into something pretty special, and so when I read this … What, he [Dan Dreiberg] is impotent? And he’s a flabby failure? What kind of a book is this? I was really blown away by how complex the characters are.
Then once I got the absolute edition and saw all the details and where it came from, I think ignorance was bliss. I looked at it like I would … study Arthur Miller: every picture, every word, every pose, every line, everything over ns dove and over. Let’s face it: The book is so dense and there’s stuff you don’t notice until four or five times through. It really became an obsession for a lot of us to really be as faithful as you could. You can only have one chance to read it for the first time. I’m actually grateful that it came with the role, because I felt like I was reading the entire thing through Dan [Dreiberg’s] eyes.
How scary is it to tackle a movie that has such high expectations?
Akerman: I think it’s more an excitement. For sure, the pressure is intense. But once we started shooting, all that went away. And it became team work. We all became fans, so we were pressure on ourselves … Zack Snyder [director of "Watchmen"] is one of the biggest fans, so to have him leading us through it, we let go of all the pressure and just said, “We have the best man at the helm who’s leading through this journey.” And because of that, we were able — at least while we were filming — to let go of the bigger picture, and just concentrate on the characters and the roles and making it the best film that we can make it. And, of course, once it was a wrap on the film, we go, “Oh, God! Let’s see what happens now. This is the moment of truth.”
I think it would’ve been a lot different if it had been a different director who wasn’t as confident as Zack. Then you start to get nervous, because it is a fantastic piece of material, and all you to do is do it justice. It really deserves it. Yes, the pressure is on, but I have faith and confidence that people will be pleasantly surprised.
How did you prepare for the relationship and the nude scenes between your two “Watchmen” characters?
Wilson: When you have source material like this … everything is answered in the comic. So you constantly go back to that. If you’re adding lines, 95 percent of the time, they’ve lifted straight from the comic. There’s little said about the relationship, what it was before, but you get the impression that they met, had a brief moment or a look or two, and of course the blue guy [Dr. Manhattan] shows up and Dreiberg goes away.
Luckily, the intimate scenes we shot late in the movie, so we had gotten to know each other quite a bit. But truthfully, the script was so detailed that you felt like every question you had about these characters was answered. So you didn’t have to go digging around … It’s all right there. Specifically with these two characters — Dan and Laurie — it’s probably the most human struggle of the film. That they were costumed superheroes is almost a by-product, an after-thought, because this struggle that they have as people is very human and very relatable. So you never felt like you had to cut any corners for the genre or add in any emotion that wasn’t there, because it’s all there.
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